Robert Mirabal - Music From A Painted Cave album review
Native American Indian musician/storyteller Robert Mirabal from Taos, New Mexico released a folk album called Music From A Painted Cave which is filled with Native American Indian tales of the past with some foreshadowing the future. The words in song, chant, and music are spoken in his Tiwa language. Stories from the land of Pueblos better known as Taos, New Mexico are filled with exciting, haunting, and spirited tales. The musical setting is filled with a powerful ensemble of powerful percussion, cellos, folk guitars, and Native flute.
Painted Caves tell us spirited stories of the past of Native American Indian culture. Particularly Taos and Pueblo culture in this coming case. The tales inside Painted Caves could be haunted. The ancient Anasazi petroglyph makers and painters told their stories through their own art. Stories of legends and prophecies are told in this folklore.
The Dance is a rain dance song hence the title. All American Indian cultures have some form of dance. Every tribe inside of Native American Indian culture has some form of rain dance. Heavy hitting powerful percussion is used in The Rain Dance. This song is a nuclear prophecy as described by Robert Mirabal himself.
Ee-You-Oo was a tribal song that was handed down from person to person. Ee-You-Oo is a Spanish melody with a flamenco gypsy flair added with English cellos. However it has more of a Spanish flavor to it.
The Flute Song is the best flute song on the album. The Flute Song is dedicated to all hardcore Robert Mirabal fans. The Flute Song is a Native American Indian flute song based off on Native American Indian culture. Particularly Taos and Pueblo culture in this coming case. Also, Flute Song is a tribal song.
5/5*****!!
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Santee - Stand On Your Own album review
Santee - Stand On Your Own has OG Santee spitting that 210 street heat from the streets of San Antonio, Texas. Hardcore lyrics and gangsta rap are what you can expect to hear on this album as he displays a no holds barred attitude.
Shy Baby is about a shy woman who is a yellow bone. It’s a Texas thing. She is a freak in the sheets who is unique. Fresh as summer rain. She’s a ride or die sexy girl. Santee is just trying to stack his change and ride in a car with big frame rims. That is the entire gist and basis of the song Big Frame. Big Frame use bit-crushed 8-bit Atari synths over modern rap beats. You can hear the modern sound in those beats.
The title track Stand On Your Own has OG Santee spitting that 210 street heat from the streets of San Antonio, Texas. Santee explains how he has to stand on his own as an individual person as most of his friends, partners, and associates are deceased or incarcerated. What do you do when all your G’s are gone? If you’re a real, then you stand on your own. The title track Stand On Your Own was produced by Big C of SGC Productions.
Santee stands on his own because he is a real g. He still packs a cannon wherever he’s at. He lives by both the street code and G code. Santee is a don as he calls the shots. You are not safe at home because he will invade your home. Santee is alone but he is still standing. He is real vocal and loyal. Down for the caper as he stacks paper.
What do you do when all your G’s are gone? If you’re a real, then you stand on your own.
Santee how to stand on his own as an individual person as most of his friends, partners, and associates are deceased or incarcerated. All his friends are gone and soldiers are dead.
Throwing Our Stacks explains how the PRC Click throws money around through frivolous spending whether in the club or a retail market.
The PRC Click is riding and coming down very thick with pockets swollen through the club. Throwing up their set. The PRC Click can be seen rolling (driving) around in Cadillacs. PRC Click and Santee slang CDs like they are crack. PRC Click and Santee are given love in the hood. Santee has been balling for several decades. That boy Young Keis is just so wild. That nigga Big C taught Young Keis how to throw them Cadillacs.
Santee is an OG and Texas baller as he calls the shots. His stacks are big but he wants them larger. Santee is about paper and that is a fact.
4/5****
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Da Enna C - You Can't Use My Pen single review
The maxi-single of Da Enna C - You Can't Use My Pen is one of the most tightest and rarest Detroit hip hop releases ever. This is 90s Detroit hip hop and jazz hop at its best. This is when hip hop was fun. You can feel that sense of grittiness, sadness, and mellow vibes as you listen to this maxi-single. J Dilla’s production sounds very much similar to Pharcyde - Labcabincalifornia and De La Soul - De La Soul Is Dead. However this single flew under the radar and got overlooked. Sadly Detroit influenced hip-hop almost never get its credit truly deserved. If you love the sounds of Pharcyde, De La Soul, Brand Nubian, or A Tribe Called Quest, then you will love this max-single.
All songs included on this maxi-single were recorded at Mike E Clark's Funhouse Studio. Nearly all the beats were produced that legendary J Dilla. P-Gruv produced 25% of these beats on this maxi-single.
The maxi-single of Da Enna C - You Can't Use My Pen was the first public release to have a J Dilla production used. Up Top Entertainment was the first record label to release a J Dilla production ever to be commercially released.
Da Enna C is pronounced as “da inna see”. Da Enna C is and was P-Gruv (MC and producer), Sleeepy D aka 3E (MC and producer), DJ Dez (DJ, MC, and producer), and Boog Woog (dancer). Finess a.k.a Jahzilla was the other MC featured.
You Can't Use My Pen uses a jazzy hop hop fusion and combination similar to what you would hear in East Coast rap songs from the 1990s. The song has a mellow vibe with a sense of an upbeat tempo from those exquisite J Dilla produced beats. P-Gruv and J Dilla programmed the drums while Amp Fiddler played the bass line on "You Can't Use My Pen". You can hear J Dilla’s early sound on this rugged instrumental with his classic snare knock and original basslines. You Can't Use My Pen sampled Pharcyde - 4 Better or 4 Worse.
Throw Ya Hands In Da' Air Jazzy airy mellow number produced by J Dilla. The keyboards are not watered, filtered, or diluted in any way. P-Gruv produced 25% of the beats.
J Dilla produced the famous "Now" track which gave him fame through Detroit and the underground. You can hear J Dilla’s early sound on this rugged instrumental with his classic snare knock and original basslines. You can hear the beginnings of Dilla's unorthodox drum pattern style. The "Now" track sounds very similar to Brand Nubian and early 2000s Madlib. J Dilla produced the famous "Now" track on had a SP1200 and a 3000. Now was recorded during a freestyle session which is why the track is labeled as a “Freestyle Session”.
5/5*****!!
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DJ Self – Hit Of Acid E.P. EP review
Looking for some hardcore breakbeats and hard house to dance to? Well DJ Self – Hit Of Acid E.P. is the release for you. This EP has everything from hardcore breakbeats to acid house to hard house all the way to dance. You can expect to hear the most funky electronic synths and dance beats this EP has to offer. DJ Self – Hit Of Acid E.P. is and under-appreciated Dallas hard house record. DJ Self – Hit Of Acid E.P. is one of the lesser known releases from the R2M/Phusion Records label.
The Temple is an uptempo number with obscenely loud kicks and thin electronic synths with the song playing at an extremely fast pace. Those thin electronic synths sound quite distorted and are underlapped by those obscenely loud kicks and beats.
Feel The Funk uses some of the most funky electronic synths and dance beats in all of Dallas hard house. A handful of loud 303 beats and 808 beats are used throughout the entirety of this song. You can definitely feel the funk of this song. The occasional clavinet is used also.
XXX uses some basic beats such as a kick drum, snare, and hi-hats. The song goes round and round on a loop basically. There are some obscenely loud kicks too. Handclaps can be heard all over the place.
Dog 4 Life is one of the more unique songs off the EP as this song in particular uses more hip hop oriented samples. For example the beats (cymbals, hi-hats, and kick) from Salt N Pepa - Push It were used. The beats from DJ Snake - Buggin’ Bass were used. A quirky and very interesting looped vocal sample which says “the fuck die” used throughout the middle of the song.
Bad Boy Bass uses a more tribal house based sound as a conga and tambourine are used with the occasional breakbeats. Now that’s not to say the hard house sound is still present. Nevertheless Bad Boy Bass is a badass mix of tribal house and hard house.
5/5*****!!
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DJ Self – World Wide single review
Looking for some hardcore breakbeats and hard house to dance to? Well DJ Self – World Wide is the release for you. This single has everything from hardcore breakbeats to acid house to hard house all the way to dance. You can expect to hear the most funky electronic synths and dance beats this single has to offer. DJ Self – World Wide is another under-appreciated Dallas hard house record.
Ladies Do Your Duty uses some thick beats and hard house breaks over whiny electronic synths from a clavinet. The beats are very 80s for a record that was recorded, produced, and released in 2000. The song uses a wide variety of songs from the 80s, 90s, and 2000s such as 69 Boyz - Tootsee Roll, Lil Louis - The Party Continues, and Crazy Town - Sugar.
Perfect People uses filtered beats which sound quit muffled. This DJ Self song sounds rushed as all his other songs do. But in this case one has to wonder if DJ Self produced this on a tight deadline or at the last minute. However the song is not bad. The song is notable for using a variety of unique beats which are quite compelling which also fit in with those random quirky synths. Overall Perfect People is a unique hard house song and a unique DJ Self song.
I Give You More uses an edge of rock and dance music. The synths at the beginning are distorted. Now the beats will have the floor shaking.
4/5****!!
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Q-Bik – Pounding Beats single review
Q-Bik – Pounding Beats is one of the most underrated and overlooked hard house releases of the 1990s. Each track is a gem filled with the wonderful intense hard house sound wroth listening to. You can feel the intensity in each track.
Transform uses some killer kick drums and killer bass over dance beats and over distorted bit-crushed electronic synths all over a fast hard house rhythm. Q-Bik knows how to be a producer and arranger.
Rasta Stomp uses a fusion of reggae and hard house in one recording. Think electronic reggae music. You can expect to hear some killer bass over dance beats and over distorted bit-crushed electronic synths behind a fast hard house rhythm. Rasta Stomp is one of the most unique hard house tracks in the existence of music.
5/5*****!!
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AM/FM Alexander – Loud Tools EP EP review
AM/FM Alexander – Loud Tools EP displays some of the loudest most advanced hard house sounds from the last century. You can expect to hear some of the loudest synths and loudest hard house bass over distorted synths and cymbal kits. The Loud Tools EP is quite advanced, exquisite, and futuristic for an EP from 1997.
Acid Beating uses some of the loudest synths and loudest hard house bass over distorted synths. The beats are quite basic as only a kick drum and cymbal kit are used with the frequent tambourine. One thing’s for sure is that AM/FM Alexander knows his hard house and how to be an arranger.
Da Visitor uses an array of warped synths and loud bass over heavy cymbals. Now some of those warped synths sound electronically filtered and slightly distorted. However that does not mean Da Visitor is a bad song. Da Visitor is one of AM/FM Alexander’s more unique recordings in his discography as Da Visitor is quite futuristic for a song recorded in 1997. You can feel the acid house groove on this song of his.
5/5*****!!
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Natives From Da Undaground – Whatcha' Gonna Do For Me? single review
Natives From Da Undaground – Whatcha' Gonna Do For Me? is some of the most underrated hip hop/rap from Detroit and Highland Park. This single is one of the hidden gems produced by J Dilla. All of the beats on this single were produced by the legendary J Dilla. The single has that East Coast rap sound and vibe. Whatcha' Gonna Do For Me? is a poetic and lyrical rap single which gets very deep.
The song Whatcha' Gonna Do For Me? is notable for using such heavy hand claps and bass over the sample of The Fatback Band - Put Your Love (In My Tender Care). J Dilla is a virtuoso on the keyboard. You can hear J Dilla’s early sound on this rugged instrumental with his classic snare knock and original basslines. You can hear a bit of Redman in the rap vocals. That is how Whatcha' Gonna Do For Me? has an East Coast vibe.
Brotha's Juss Don't Know is the best example of some real hip hop/rap produced by the legendary J Dilla. J Dilla was very professional with his production. He had his stuff organized. Even in those days he stood out. He had every record ever made in his collection. This is one of those lyrical feel good songs with a calming vibe. This is a poetic and lyrical rap song which gets very deep. Such classic Detroit shit. Poe Whosaine and Prince Shaheed rapped on Brotha's Juss Don't Know as that was their song. They were members of Natives From Da Undaground.
Pack Da House has one of the illest J Dilla beats. You can hear J Dilla’s early sound on this rugged instrumental with his classic snare knock and original basslines. The song uses half-measures which is why the beats are spread out.
5/5*****!!
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Bad N-Flewenz – Women -N- Money single review
Bad N-Flewenz – Women -N- Money is an East Coast influenced Detroit rap single from the 90s that got sadly overlooked and overshadowed. Each track is sample crazy with 70s soul songs and 80s rap songs being sampled. Bad N-Flewenz is the Detroit version of Grand Daddy IU. You have a gangsta rap influenced track such as Women -N- Money, a lyrical poetic song such as Can't Fade Ma Shit, and a diss song such as Nutt'in Can Save Ya. Bad N-Flewenz consisted of dancer Excell, Chainsaw Massacre, and Motion.
Women -N- Money (Bytchez -N- Money) is a Detroit style Jackin 4 Beats as the song samples Suzanne Vega - Tom’s Dinner, NWA - Gangsta, Gangsta, Faze-O - Riding High, Steady B - Bring That Beat Back!, Steve Miller Band - Fly Like An Eagle. However Bytchez -N- Money relies heavily on the sample of Faze-O - Riding High. Women -N- Money (Bytchez -N- Money) uses samples from 70s soul songs and 80s rap songs.
Bitches and money go together like pants and a sweater in almost any type of weather. It costs to be the boss in the City of Detroit. You can’t be looking shitty to get a pretty woman. You gotta have game or money. Run up in hoes like Bruce Jenner and come out a winner. Bitches look ridiculous.
Nutt'in Can Save Ya lets sucker MC’s know that Bad N-Flewenz is not taking any shorts or any losses. They are not taking any shit. Excell of Bad N-Flewenz takes some jabs at MC Breed by dissing him on the song. This is an MC Breed diss. Excell sounds very much similar to Grand Daddy IU on Nutt'in Can Save Ya. His delivery is nonchalant.
This song relies heavily on the sultry rich funk sample of The Mohawks - The Champ. Nutt'in Can Save Ya samples The Mohawks - The Champ, Cypress Hill - How I Could Just Kill a Man, and MC Breed - Ain’t No Future In Your Frontin.
Excell disses MC Breed for being a one-hit wonder, relying solely on the success of his hit song Ain’t No Future In Your Frontin to make him famous, and for being a sellout. Excell of Bad N-Flewenz takes some jabs at MC Breed by dissing him with some of these lyrics.:
Excell flows for those who don’t know
The sucker on the North Side are still trying to hoe me
The sucker in the F-L-I-N-T only had one H-I-T but still can’t spell
Ain’t No Future In Your Album, so why are you still fronting?
Now your shit’s old, gotta push another hit
For this has been
So why should anybody care?
Brother, don’t let me get started.
Ya ass is a retarded target
You never got caught with a kilo
Brother, what you front’ for?
While you represent Job Corps
(vocal sample of MC Breed - Ain’t No Future In Your Frontin)
Fake broke nigga you can suck my damn dick
Selling out your city that made you the one
Well I’m here to tell you you’re about to get done, son
Sellout nigga
Yeah you told us exactly what you was about
But I’m holla at your crew too
You think you hard
And you’re hoe made looking broke, mane
Now you motherfuckas are mad
[Verse 2]
Check it
Aw shit
Ain’t No Bass In Your 12 Inch
You pint-sized broke looking ass bitch
Lucky like a charm
Ease up off me
Your ass at luck when I bend ya butt over
Cause you’re about to get fucked
The bullshit I warned ya
The lyrics “Ain’t No Bass In Your 12 Inch” give away reference to how MC Breed’s 12 inch speakers have no bass in them.
Motherfuckers are intimidated by Excell’s appearance. So fuck all the chit chatter If it’s on, then it’s on. It don’t matter. This is no surprise to Excell. Don’t size up to Excell. Getting loose like a bitch in a snow suit is what he does. Suckers don’t like him.
Can't Fade Ma Shit uses a touch of funk and soul over East Coast rap. Notice those rich sultry soulful notes and chords from the piano. Can't Fade Ma Shit is another hardcore rap song from Bad N-Flewenz.
5/5*****!!
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P.K.O. - Don't Fuck With Texas album review
P.K.O. - Don't Fuck With Texas was the first album/EP from San Antonio, Texas rap group P.K.O. which was released in 1989. Their songs sound similar to early NWA, CMW, and Get Boys. P.K.O. was the southern version of N.W.A. except they stood together longer than N.W.A. and so on. You also have your radio songs such as Life In The Ghetto and Money Mackin' Trick. Everything from gangsta rap to Southern rap to dance is included on this PKO album. A touch of East Coast rap and hip hop is used. You would think these dudes are from a place on the East Coast such as New York or New Jersey given their accents.
Don't Fuck With Texas was not quite hardcore and not as controversial as their other albums because it is the group's first album. It was overlapped with radio friendly tracks making the EP not as hard as their later albums on Youngsta Records in the 90's. Of course this album was still hard and controversial despite having some radio friendly tracks. Albums such as this one, Armed & Dangerous, They Scared of a N***a, as well as "The Good The Bad, The Mafia" have controversies inside the lyrics.
But get this! The whole album plays as one song so you can't skip any tracks. I guess that's an error that Yo! Records and Midwest Records had made and never fixed it. (Later Youngsta Records titles were also distributed by Clout, SoSouth, Select-O-Hits, and SW Wholesale.) For those who own the Don't Fuck With Texas album on CD and cassette, the names for Don't Fuck With Texas may vary. It's worth buying if you can even find it. Not that many copies of this album were pressed up. Possibly less than 100,000 copies.
Don't Fuck With Texas is the hardest intro and first track. Don't Fuck With Texas is the hardest intro ever known to humankind!! Don't Fuck With Texas samples Van Halen - 1984! It always blew me away how Nino managed to get away with using 1984 as an uncleared sample on the Don't Fuck With Texas introduction because if Van Halen knew about this, they would have filed a lawsuit as they did with Tone Loc. I'm not sure how Nino managed to pull this and get away with it. Dopest intro ever!! Pony and Magic Mark let the listener(s) know not to fuck with the State of Texas.
World War discusses the members of P.K.O.'s point of view on war in general. This is a pro-war track rather than a pro-peace track. Pony J is the instigator stating that he wants war rather than peace. He declares war on his enemies who used to be friends with him but turned out to be snitches and hoes. Those people were users and posers taking advantage of him anyway. That’s abusive. Other than that, Pony J is the main instigator of war on this track as it is a Pony J solo.
Life In The Ghetto talks about what type of shit goes on in the hood. Such as crime, abuse, vandalism, and poverty. Pony J touches and tackles the subjects of criminal mischief, drug trafficking, speeding, vandalism, crime, and poverty of course.
Life In The Ghetto has some funky drums programmed by DJ Snake. Life In The Ghetto has a funky sound due to sampling some of Zapp’s songs. The PKO song heavily relies on samples of Zapp which is why you can easily tell they were influenced by funk. The samples used are Zapp - More Bounce To The Ounce, Zapp - Doo Wa Ditty (Blow That Thing), N.W.A - Gangsta Gangsta, and Dazz - Brick.
Some people make uplift themselves out of the ghetto and forget about their people. But not Pony J. Some people got their own 9 to 5 jobs in the ghetto and projects. They rob, slang, kill, or whatever is necessary to stay alive and stay afloat. Corruption gets to the children. Magic Mark does not understand black on black violence when black people kill each other. That’s how life goes sometime in the ghetto.
The ghetto is a location where a cap or 2 are busted on occasion. Shootings occur randomly but only on occasion in the ghetto. Shootings usually occur when suckers get in to fights over various things.
So Pony J and Magic Mark loaded up the Youngsta Posse aka Youngster Mafia after the gang murdering. They took a break to eat at Murf’s Better Burger. (In memory of Murf’s Better Burger.) Then the Youngsta Posse head back to the Cadillac to perform at another rap show. Next they head to the store for a 40 .oz of beer and some zig zags. They also stopped at the corner for some ganja.
Some sucker in a hooptie shot at Magic Mark for whatever the reason(s) may have been. Lucky for Magic Mark he had a bullet proof window. He ended up crashing into someone’s Pinto. People started running all over the place. This leads Magic Mark getting into a high speed chase with SAPD. So him and Pony J hitched a ride. Who knows where they were. That’s how it is sometimes with life in the ghetto.
A 15 year old male drug dealer named Freezy Cold (?) sells yayo (cocaine) with a gold necklace. Around the corner is a laid-out modernized Mercedes Benz. There’s no way he could be underpaid and still have things made. Girls are on his tip like crack fiends. This was until he decided to go out bragging and ran his mouth about how he could never be caught by rivals or police. He still owed the Colombians about 40 grand ($40,000 dollars). 4 Cubans with uzis took his ass out killing him outside a club. That’s life in the ghetto.
Late at night Magic Mark lays in his bed. The next morning he watches the morning news. The morning news announced that 12 people were dead from a method of execution. A gangster threw a bomb inside an old building. The bomb went off and killed everyone inside. Magic Mark wonders how that gangster could kill those children. Gang violence is common in the ghetto. A man in the Bronx tried to rape his niece. He was beaten and killed by officers from NYPD (New York City Police Department) because he attempted to rape his niece.
The song Money Mackin' Trick is about an undercover agent for the FBI who works for the government and Cuban drug cartel at the same time. She plays people for their money. This undercover agent for the FBI plays Magic Mark and Pony J by screwing them out of their money. She ends up getting high off cocaine and regresses toward drug abuse and substance abuse. However she did not pay the Cuban drug cartel their money for the cocaine she purchased from them. At the end of the song she gets killed because she snitched on the Cuban drug cartel. The song deals with the issues of political corruption, sexual intercourse, infamy, drug abuse, and substance abuse.
Money Mackin' Trick is an edited version of Money Mackin' Bitch which would later appear on the Armed And Dangerous album in 1990. Linny Nance from Dallas sings the background vocals. The production was done by DJ Snake. The percussion and beats are super dope! Money Mackin' Trick samples Kleeer - Intimate Connection.
She’s a money mackin bitch, right? A 60 inch dookie rope is around her neck. You see she works for the FBI as an undercover agent. That is whys never got knocked. She drives a 1989 Mercedes Benz. With that comes the power, wealth, and fame. She gets what she wants by conversation. Being a money mackin bitch is her occupation. She tricks people out of their money. That’s why they call the hoe a money mackin bitch. She’s only down for the money.
Some people they try to push to her. One of Pony J’s homeboys tried to push to her. He just didn’t know she graduated in macking with a masters degree. The game he was spitting to her was elementary. He didn’t know she had game. She ranked him by tricking him out of his money. He trusted her. He even had a stash spot at the bank. His stash spot was a safe mounted in the ground. There was nothing he could do. She even found the keys to his brand new Porsche. She left him thinking and sitting quiet as a mouse. He lost his money, his brand new Porsche, and his million dollar house. He got played for his money. Magic Mark knows that she’s a money mackin bitch.
Some money mackin bitches like to get fucked. They’ll suck you dick and spit your cum into a cup. Pony J had a money mackin bitch once. She was so hot. He through on a song by The Isley Brothers (The Isleys) to have sexual intercourse to. Her pussy got hot like a microwave oven. She climbed his dick like a ladder. They fucked so long. She almost popped his bladder. He asks her to slow her pace down a little bit. She tells him, “Nigga, get with it or get pussy-whipped.” Pony J busted his rubber condom. He turned off The Isleys and played his own album. However he soon realized something wasn’t quite right. Things started getting funky. She had the nerve as she tried to punk him. This was the same money mackin bitch who was an undercover FBI agent.
Magic Mark tells us about this money mackin bitch who was full of game and unpleasant surprises. She was a female emcee (MC) from New York City, New York. Magic Mark was fucking that bitch. Her and her DJ had it going on. While in the middle of having sexual intercourse and grooving to DJ Red Alert and Quiet Storm, she told Magic Mark that he could her cut of the money if he produced her next record. Magic Mark started smiling with his gold tooth showing. 5 minutes later he was knocked snoring. However he get woken up from his beeper. He caught the bitch red-handed. Her and the DJ demanded money from Magic Mark. Of course he was not confessing or giving them specifics to where his money was. His money was in a bank all they way down in Texas.
This money mackin bitch who an undercover agent for the FBI is not just all over the city of San Antonio, Texas but elsewhere. She also sold dope (cocaine) for the Cuban drug cartel straight off the boat. She sometimes acts shitty. She got turned on to cocaine. She began using cocaine and abusing it leading towards drug abuse and substance abuse. She ends up getting high off cocaine and regresses toward drug abuse and substance abuse. She couldn’t stop using cocaine. However she did not pay the Cuban drug cartel their money for the cocaine she purchased from them. So owed the federal government a favor. She gets killed because she snitched on the Cuban drug cartel.
I love the Rock Intro. This album is more rock and hip hop than the others. This album was overlooked. If this album had been longer and had more songs, I would have given this album a 5/5***** and a 4/5****. There should have only 2 skits instead of 4. Around 14 tracks would have been appropriate. If this album had been longer and had more songs, it would be even more of a stellar debut effort. Their Armed And Dangerous album goes even harder!
4/5****!
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