Jandek - Put My Dream on This Planet album review
Jandek - Put My Dream on This Planet was the infamous acapella album from Jandek that was filled with beautiful unique sound poetry that is enlightening. The album has cold lethargic songs such as I Need Your Life and It’s Your House.
I Need Your Life explained how a man Jandek dated left her out in the cold. The themes of this song are isolation and betrayal.
Jandek was dating a man. Jandek has been through his nursery rhyme. She took all his nickels and dimes (money). But he left Jandek cold. He wouldn't let Jandek hold on longer than it took to go. Jandek doesn't care if she dies or is in a wheelchair. Or in a bed unable to move. It's better than what she did today. The man she was dating lead her on. He mislead and betrayed her in so many different ways.
She doesn't know why he lets her up just to push her down. Sometimes she thinks maybe he lets her up just to push her down. He lets Jandek feel good just to let her feel bad. His feelings are like a swinging pendulum. Turning tables. All she wants to know is if there is there a right way.
Jandek doesn’t know what the man she is dating is trying to do to her. She questions herself by curiously wondering if she is going down the wrong road and if she is doing the wrong thing. But he showed her before that she can lose all the faith she had. She wonders were her faith and hope go. These lyrics below explain in a brief summary how Jandek lost all her faith.
But you showed me before
That I can lose
All the faith I had
That I can be
So small
That I can lose
All I got
All my faith
All my hope
Where does it go
And you can't tell me any little thing
Because I feel
I feel
So bad
She doesn't need to be conventional. She just needs to be let on top somehow some way. It's been so long for her trying to remember. It's not easy. She sees herself slipping. She has got some kind of feeling that she not being treated right. Jandek doesn't know if she is not treating herself right. Clearly she wants to move on.
It’s Your House is a song about the particular type of house that Jandek wants built for herself and her lover that is her man.
Jandek wants to build her dream house out of granite rocks and iron bars. The building materials she plans on using to build her dream house are granite, rock, steel, and iron. She wants black flecks in the gray stone and tile. Cast iron and heavy rock.
She does not want to use these building materials to build her dream house. Jandek does not want to use glass, wood, plastic, synthetic fiber, shingles, or brick. No foil products either. That includes aluminum siding. She is ready for the house to be built. Let Jandek build her house. There is no doubt you could do it.
You can drive all those other materials they mess with when they make houses like wood, plastic and brick and glass. Just give her granite and cast iron. She’ll build a house you can be proud of. She wants a granite house with steel bars on the windows and doors. A fence all around it and maybe on the ceiling too. She’ll live in it and die in it. She’ll worship in it.
4/5****!
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Andrea Gibson - When the Bough Breaks album review
Andrea Gibson - When the Bough Breaks is a promising slam poetry album with deep introspective poems and poetry. The album has poems about war and sexual orientation. Many of these songs deal with the uncertainty of life and the uncertainty life brings. One of the most overlooked poetry albums of 2006.
For Eli was a poem written in 2003 about an American soldier named Eli who came back from Iraq after he finished serving in the American Infantry.
Eli came back from Iraq tattooed a teddy bear onto the inside of his wrist above that a medic with an IV bag. But Eli says the teddy bear won’t live. Eli’s only 24 and Andrea has never seen eyes further away from childhood than his eyes old with a wisdom he knows Andrea would rather not have. Eli’s mother traces a teddy bear onto the inside of his arm and says, “Not all casualties come home in body bags.”
Andrea swears she’d spend the rest of her life writing nothing but the word light at the end of this tunnel if she could find the fucking tunnel. She’d write nothing but white flags. Somebody pray for the soldiers. Somebody pray for what’s lost. Somebody pray for the mailbox that holds the official letters to the mothers, fathers, sisters, and little brothers of Michael 19, Steven 21, John 33. How ironic that their deaths sound like Bible verses.
The hearse is parked in the halls of the high school recruiting black, brown and poor American citizens while anti-war activists outside Walter Reed Army Hospital scream about the 100,000 slain as an amputee on the third floor breathes forget-me-nots onto the window pain. But how can we forget what we never knew our sky is so perfectly blue it’s repulsive?
Our lies have seared the sun too hot to live by. There are ghosts of kids who are still alive touting M16s with trembling hands while we dream ourselves stars on Survivor. Another missile sets fire to the face in the locket of a mother whose son needed money for college and she swears she can feel his photograph burn. How many wars will it take us to learn that only the dead return the rest remain forever caught between worlds of shrapnel shatters body of a 3 year old girl?
The mortar of sanity crumbling stumbling back home to a home that will never be home again Eli doesn’t know if he can ever write a poem again. 1/3 of the homeless men in this country are veterans. And we have the nerve to Support Our Troops with pretty yellow ribbons while giving nothing but dirty looks to their outstretched hands.
Tell me what land of the free sets free its 18 year old kids into greedy war zones. Hones them like missiles and then returns their bones in the middle of the night so no one can see. Each death swept beneath the carpet and hidden like dirt. Each life a promise we never kept.
Jeff Lucy came back from Iraq and hung himself in his parents' basement with a garden hose. The night before he died he spent 45 minutes on his father's lap rocking like a baby
And don’t think for a minute he too isn’t collateral damage in the mansions of Washington they are watching them burn and hoarding the water. No senators’ sons are being sent out to slaughter. No presidents’ daughters are licking ashes from their lips or dreaming up ropes to wrap around their necks in case they ever make it home alive. Our eyes are closed. There are souls in the boots of the soldiers. You wanna support our troops? Bring them home and hold them tight when they get here.
Andrea Gibson gets in touch with her LGBT+ side on the poem Andrew. This makes sense given Andrea is a dysphoric individual who often utilizes names associated with the opposite sex. Gender dysphoric individuals often desire to adopt names associated with the opposite sex. Whereas “Andrea” is typically reserved for females, “Andrew” is more masculine.
When Andrea was a kid she would sometimes secretly call herself Andrew. She would tug at the crotch of her pants the way only pubescent boys do. She ran around pounding on her bare chest like Tarzan. It’s not that she thought she’d grow up to be a man. She just never thought she’d grow up to be a woman either. From what she could tell, neither of those categories seemed to fit her. Andrea knew from a very young age never to say, “Hey dad, this Adam and Eve thing isn't really working for me. I mean, what about all the people in between?”
In the 3rd grade, Lynette Lyons asked Andrea where all of her Barbies were. She lied and told her she got in trouble so my mom took them away. She didn't dare say, “Barbie sucks, Lynette! And for that matter Tommy, so does GI Joe.” Andrea just wanted to grow into something none of us have ever seen before. Gender is just one of the ways we’re boxed in and labeled before we’re ever able to speak who we believe we are or who we dream we’ll become.
Like drumbeats forever changing their rhythm. Andrea is living today as someone she had not yet become yesterday. And tonight she will borrow only pieces of who she is today to carry with her to tomorrow. Yes, Andrea likes girls.
5/5*****!
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Peggy Lee - Blues Cross Country album review
Peggy Lee - Blues Cross Country uses a mixture of big band blues over vocal jazz thus creating a jazz-blues fusion. A bit of jazz poetry is used through the oration of singing. With a small touch of beat poetry in a quiet manner. This is one of her more patriotic albums given the fact she sings about the various major cities across the good old United States of America. The songwriters did an impeccable job with the songwriting. These are the obligatory love songs given that this is a Peggy Lee album.
One thing’s for certain is that Peggy Lee - Blues Cross Country is one of the more overlooked albums from Peggy Lee. Whenever people mention Peggy Lee, they mention her albums such as Rendezvous with Peggy Lee and All Aglow Again!. But they hardly ever mention her album Blues Cross Country.
Kansas City described the trip Peggy Lee took to Kansas City, Missouri for some form of loving.
Peggy Lee is going to Kansas City. They got a crazy way of loving there. And Peggy is going to get her some loving. That's the reason why she is going to Kansas City.
She’ll be standing on the corner on the corner of Twelfth Street and Vine Street with her Kansas City baby and a bottle of Kansas City wine. She might take a train. She might take a plane. But she will get there just the same if she has to walk.
Peggy’s gonna pack her clothes and leave at the break of dawn when everybody will be sleeping. Nobody will know where she has gone. Peggy knows that she will die if she stays in town. She gotta find a friendly city to escape to. They got a crazy way of loving there. Peggy is going to get her some loving.
Basin Street Blues uses a mixture of big band blues over vocal jazz thus creating a jazz-blues fusion in one song. New Orleans jazz meets the sounds of Louisiana blues on this Peggy Lee song.
Basin Street. That's the street where the elite always meet in New Orleans, Louisiana. The land of dreams. You'll never know how nice it seems or just how much it really means. Where welcome's free are dear to Peggy. Where she can lose her Basin Street blues. Take the boat to the land of dreams. Steam down the river to New Orleans.
Los Angeles Blues explains how there is very little that is blue in Los Angeles, California. The song captured the spirit of urban metropolis goodness. The song also explained the fun leisure activities there are to do.
How can that be so hard if you have sunshine and beaches? How can you be blue where living's that easy? And maybe oranges and grapefruit growing in your own backyard. If you have mountains and the ocean and a great, big smiling sky. There's very little that is blue here in Los Angeles, California. So the blues pass Los Angeles by. With that kind of living, how can you be blue?
Everybody has a barbecue. Everybody's goin' swimming, too. You can go to a mountain and ski down the side. Go to a beach and take a surfboard ride. You can go to the desert in an hour or two where the sun and the sand are so good for you. The folks arе nice in this tropical climate. Although they talk about the weather lots of the time. They call it unusual if the rain comes down. They don't believe in blues in this old town. The City of Angels has a lot of pride. But the bluеs have passed it by.
You can live in the valley where the grass is green. Or you can live on a hill with a view to be seen. The people do say that on a real clear day. You can see Catalina. Although it's pretty far away. You can watch the Rams, Angels, or the Dodgers play on a sunny smog-free day in Los Angeles, California.
I Left My Sugar (In Salt Lake City) told the story of how another woman took Peggy’s man. She laments over the loss of her man throughout the song.
Peggy lost her man in Salt Lake City, Utah. Why did she go there? She should have stayed down in New Orleans and never gone nowhere else. A girl with sweet talk from Kansas City stole that man of Peggy’s. She bought him diamonds and limousines. Her words were sweet like wine.
There is no sleep for her when night comes creeping. What he sows, he'll be reaping as he has done her wrong. She lost her sugar in Salt Lake City. And when she heard the news it left her deep in her solitude with the Salt Lake City blues.
The Grain Belt Blues explained the story of a man who hurt his back while working at a granary.
Way out on the plains where the air is sweet and the earth is rich for seedling wheat. A man can hurt his back, but never his soul. A good sweet earth can keep a man whole. The sun can blister and the hail can pound. And the blizzard rage or the rivers flood the ground. He knows Mother Nature has some blues to play. This is the grain belt blues.
We got to get to mill and grind it just right. Or there won't be any bread for supper tonight. The spring will come and hе'll plow once more. He'll work that ground until his body is sore. He knows he'll win when they add up the score. Then one fine day, the grain will be ripe. He can smoke that good tobacco in his pipe after supper. He'll have cash to spend. The grain belt blues will come to an end.
New York City Blues explained how Peggy dealt with her departure from New York City. Peggy explains how New York City, New York is a great place which she just cannot leave behind.
Something's got to give. Peggy can't say goodbye to New York City because New York City is a sweet city. They say it's a great place to visit. But her heart tells me it's a better place to live.
If she comes in by plane she can see those buildings high. And if she comes by boat she can really heave aside. If she comes by train she can watch those streets go by. And if she lands in the airport come in the skyway, she can catch a cab that's going her way. New York is her town. She’ll go all around the town regardless of direction. And in any direction. She loves the people. And all they make that big town swing. Yeah the people are everything.
Goin’ To Chicago Blues uses a significant touch of Chicago Blues music over traditional vocal jazz. Peggy is going to Chicago, Illinois. She can't take the man she is currently loving with her because there's nothing in Chicago that a man like him can do. He is so mean and evil because he does things he shouldn't do.
Peggy explains why she has the blues as her man left her by the San Francisco Bay in San Francisco, California on her song San Francisco Blues. San Francisco Blues uses a significant touch of blues over jazz music. The song has that West Coast jazz sound.
Peggy has got the blues for her baby that left her by the San Francisco Bay in San Francisco, California. He didn't mean to treat her so bad. Peggy was the best girl he ever have had. She said goodbye. Peggy wants to lay down and die now that the ocean liner's gone so far away.
Now Peggy ain't got a nickel or a lousy dime. If she ever gets back to stay, it's going to be another brand new day walking with her baby down by the San Francisco Bay.
Peggy is sitting down looking from her back door wondering which way to go. The woman her man was crazy about doesn't love him anymore.
She’ll catch a freight train because she is feeling blue. She will ride all the way to the end of the line thinking only of him meanwhile in another city. Peggy is just about to go insane. If she ever gets back to stay, it's going to be another brand new day walking with her baby down by the San Francisco Bay.
Fisherman’s Wharf is a sea shanty sung in the form of vocal jazz. The song described her penchant for seafood. This is one of the sea shanties on the album.
Peggy needs salty air. She finds herself going down to Halle Oat-o's on Fisherman's Wharf. That's where they have seafood to spare. The sea breeze blowing and boats are coming in. She’s been waiting. Where have the fishermen been? Peggy wants lobster and fresh crab with hot french bread. Sea bass, abalone, halibut, and salmon too. Or a nice oyster stew. Some sweet shrimp and fresh crab also. Oceans are calling.
Boston Beans explained how Peggy was in the mood for a plate of that wonderful famous food which is some Boston baked beans. Historical references from the Colonial America era such as Captain John Smith, Paul Revere, and Boston Tea Party are made throughout the song.
Peggy took a trip to Boston, Massachusetts. She was feeling in the mood for a plate of that wonderful famous food know as Boston baked beans. When she got there she had a big shock. Just about as big as a whole city block. She couldn't find any Boston beans there in Boston. They have no beans in Boston but plenty of fish. Chinese food if that's your dish. Steaks and chops are a beautiful fair.
When Captain John Smith came to Boston, Massachusetts from Plymouth, England in 1614, he was the first diplomat that the Native American Indians had seen. Got to admit that was a long time ago. If they had Boston Beans, then she really wouldn't know. And when Paul Revere rode his horse that night and lit those lanterns before the big fight, he must have been hungry when he got back. Boston beans would have been a beautiful snack.
They have some tea leaves left from that well known party (Boston Tea Party). Great museums if you’re feeling hearty. They have Cambridge and Harvard and MIT. But they didn't have any beans for Peggy.
The Train Blues explored how Peggy enthusiastically enjoys train rides. Another blues oriented song on the album.
Whenever Peggy hears a train whistle blow, she feels kind of low unless she has got a ticket and can ride. She’s got a hunger inside for a train ride. She want to follow the track to see where the train will transport her to. Peggy tells the train, “Old steam engine, stay on the track. Take me there and bring me back.” She loves to see those big wheels roll all over the country. It's so good for her soul.
She may have to follow the train to Alaska. But the train can take her to a north border town on the US-Canada border United States-Canada border) or the US-Mexico border (United States-Mexico border). Maybe the train will go south to Texas. Maybe the train she is riding in has a notion to live on a traffic isle. Wеll that train can take her right down to the ocean. And in Hawaii, she'll see her man smile. She loves to hear that whistle the engineer pulls. She loves to hear the train wail.
Peggy is very saddened that her man left the town of St. Louis, Missouri which is where Peggy currently is. She laments over the missed presence of her man in the song. However Peggy’s man has fallen in love with another woman in St. Louis. This woman wins his love and affection over with her diamond ring pulls. Peggy has simply got the St. Louis Blues. That is the plot behind St. Louis Blues.
St. Louis Blues is another one of the heartbreaking love songs on the album sung in the form of vocal jazz by Peggy herself over a blues soundscape.
Peggy hates to see that evening sun go down because her man left the town of St. Louis, Missouri which is where Peggy currently is. If Peggy is feelin' tomorrow like she is feeling today, she will pack her truck and make her give-a-way.
That St. Louis woman with her diamond ring pulls that man around by her, If it wasn't for her and her diamond ring pulls, that man Peggy loves would have gone nowhere. That man's got a heart like a rock cast in the sea or else he wouldn't have gone so far from her.
Peggy has simply got the St. Louis Blues. Peggy loves her baby like a schoolboy loves his piе. Like a Kentucky colonel loves his mint and rye. Peggy loves her man until the day she dies. Her love for her man is unconditional and has no limits.
5/5*****!!
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Peggy Lee - Things Are Swingin’ album review
Peggy Lee - Things Are Swingin’ was one of the more bouncier swing jazz albums from Peggy Lee that was considered to be her more successful albums. The moods of this album are cheerful and joyous. Overall her album is filled with positivity. Plus she got to write some of her own songs such as It's a Good, Good Night and Things Are Swingin’. She did not solely rely on just singing cover songs of jazz standards from the 1920s as she did throughout the 1950s. A bit of jazz poetry is used.
Peggy Lee soothes and takes away people with her jazzy breathtaking lullaby (jazz lullaby) called Lullaby In Rhythm.
Hear Peggy Lee’s lullaby in rhythm. Dream your dreams and wander with them. Evening drums will come and take you through the night to her lullaby in rhythm. All the breezes sigh in rhythm. Rest her love. Let nothing wake you until the light.
Stars dance while the shadows creep. The moon lands gonna swing you up high and swing you to sleep. Sand man's gonna come and make you sleep, goodnight. Dream your dreams and wander with them. Hear her lullaby in rhythm.
I’m Beginning to See the Light is a song which showcases how deep her man’s love is for her.
Peggy never cared much for moonlit skies. She never winks back at fireflies. She never went in for afterglow or candlelight on the mistletoe. But now that the stars are in his eyes, Peggy is beginning to see the light.
Peggy used to ramble through the park. Shadowboxing in the dark. Then a mysterious man came and caused a spark. That's a four-alarm fire now. She instantly fell in love with this man at first sight.
Peggy never made love with another man by lantern-shine. She never saw rainbows in her wine. But now that his lips are burning hers, she is beginning to see the light. Now when he turns the lamp down low, she is beginning to see the light.
These lyrics show how unconditional the man’s love is for Peggy. Basically how much he loves her. “I never saw rainbows in my wine/But now that your lips are burning mine/I'm beginning to see the light”
5/5*****!!
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Peggy Lee - Sea Shells album review
Peggy Lee - Sea Shells is spectacular jazz poetry album which uses a mixture of spoken word and vocal jazz singing. This is one of her lesser known albums which was not as much of a successful hit given that there were not any successful hits that spawned from this album. Many of these songs were original sea shanties written by different songwriters hence the nautical oceanic theme.
One thing that is interesting about this jazz poetry album is the use of Chinese Love Poems everywhere. The album has several Chinese Love Poems such as The Fisherman, Autumn Evening, Going Rowing, Like the Moon, and The Music.
Sea Fever was a poem about how Peggy longs to be in another country.
When the wind is blowing out of the singing south, then would she be going sea sprayed upon her mouth? When the tide is drifting over the silver sand, Peggy’s heart sails are lifting set for another land. When the stars are staring down from a cloudless sky, then would she be fairing where the gray gulls cry? Out where the gray gulls cry.
When the wind is blowing out of the singing south
Then would she be going sea sprayed upon my mouth
When the tide is drifting over the silver sand
My heart sails are lifting set for another land
When the stars are staring down from a cloudless sky
Then would I be fairing where the gray gulls cry
Out where the gray gulls cry
Gray gulls cry
The White Birch & the Sycamore is a beautiful quiet lush vocal jazz poem about Peggy feeling low since her lover had gone away somewhere. The song explained the conversations the animals were having and how Peggy overheard them.
One day when Peggy was feeling very low her love had gone away. She had loved him so. The sky was dim and the grass was gray. And then she heard the white birch say to the sycamore, “Did you see him walking out the door?” If he'd been a bit, it would help a lot because the trees all know what the man forgot.
Peggy wonders if he will go walking through the trees and hear them talking with the gentle breeze.
Peggy turned to go and heard again. She heard a conversation that a mouse had with a ram. The blue mouse said to the little ram, “Do you think he's coming home again?”
She stayеd a while and watched the daylight go. The sun had set and left a lovely glow. The little sounds of earth and sky still gave Peggy hope that her love will pass by. The crickets chirped until the shades grew long. And the little bird sang an evening song. Then the white birch said to the sycamore. There's the key that fits to his own front door.
One day when I was feeling very low
My love had gone and oh I loved him so
The sky was dim, the grass was gray
And then I heard the white birch say
Yes the white birch said to the sycamore
Did you see him walking out the door?
If he'd been a bit, it would help a lot
Cause the trees all know what the man forgot
My love, will you go walking through the trees
And hear them talking with the gentle breeze
I turn to go and heard again
A conversation with a ram
Yes the blue mouse said to the little ram
Do you think he's coming home again?
If he'd been a bit, it would hеlp a lot
Cause the trees all know what the man forgot
I stayеd a while and watched the daylight go
The sun had set and left a lovely glow
The little sounds of earth and sky
Still give me hope that he'll pass by
And the crickets chirped till the shades grew long
And the little bird sang an evening song
Then the white birch said to the sycamore
There's the key that fits to his own front door
Autumn Evening was one of the many Chinese Love Poems that were included on this album. The song is about a woman who watches the herd boy fool around with the spinning maiden.
On this autumn evening, the whitе candlelight shines coldly on the painted screen as she strikes the passing fireflies with her gossamer fan. The color of the steps of the courtyard at night is like cold water. And she sits watching the herd boy dally with the spinning maiden.
On this autumn evening, the whitе candlelight shines coldly on the painted screen
As she strikes the passing fireflies with her gossamer fan
The color of the steps of the courtyard at night is like cold water
And she sits watching the herd boy dally with the spinning maiden
The Fisherman was one of the many Chinese Love Poems that were included on this album. The song is about a fisherman who thinks of a girl at home waiting like a swallow for her matе. Think of this song as a Chinese sea shanty.
The earth has swallowed the snow again. Again we see the plum trees in blossom. The new willow leaves are gold. The waters of the lake are silver. Now the butterflies powdered with gold. Lay velvet heads within the hearts of flowers.
In a still boat, the fisherman pulls up his dripping net that is rippling the still water. He thinks of a girl at home waiting like a swallow for her matе. He thinks of a girl at home like a dark swallow in the nest.
The earth has swallowed the snow
Again we see the plum trees in blossom
The new willow leaves are gold
The waters of the lake are silver
Now the butterflies powdered with gold
Lay velvet heads within the hearts of flowers
In his still boat, the fisherman pulls up his dripping net
Rippling the still water
He thinks of a girl at home, like a dark swallow in the nest
He thinks of a girl at home, waiting like a swallow for her matе
5/5*****!!
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Linton Kwesi Johnson - Bass Culture album review
Linton Kwesi Johnson - Bass Culture is one of the more well known dub poetry albums from the reggae genre. The bass fits in with the dub production perfectly. Many of his poems are politically charged and have signs of cultural consciousness. Bass Culture is a widely respected dub poetry album favored by fans of dub poetry across the planet.
Reggae Fi Peach was a cry for justice for anti-fascist and anti-Nazi protester Blair Peach, a New Zealand teacher and campaigner who was killed with a crushing blow to the skull during a rally in Southall, West London, England in 1979. A theme of rebelliousness can be felt.
A police report found that a blow to Blair Peach’s head had been struck by a member of the Special Patrol Group (SPG) using an unauthorised weapon. The Special Patrol Group was a unit of the London Metropolitan Police who were implicated in the death of anti-Nazi protester Blair Peach. His family settled out of court after they were given a small cash settlement. However no person was charged for the crime.
Everywhere you go it’s the talk of the day. Everywhere you go you hear people say that the Special Patrol Group are murderers. We can't make them get no furtherer because they killed the teacher Blair Peach. Blair Peach was an ordinary man who took a simple stand against the fascists and their wicked plans. So the Special Patrol Group beat the life out of him was until they were done. But his memory lingers on. Blair Peach was not an English man. He came from New Zealand.
Oh ye people of England. Great injustices are committed upon this land. How long will you permit them, to carry on? Is England becoming a fascist state? The answer lies at your own gate. And in the answer lies your fate.
Ingland is a Bitch exposed how deep institutional racism is rooted within the UK that is better known as the United Kingdom. The song showed how Caribbean people were facing racism from employers and residents. Between 1948 and 1971, Caribbean people from countries located in the Caribbean sea were encouraged to come to United Kingdom to work and live there.
Linton expressed his true feelings about how the United Kingdom’s racist policies in this song. This showcases his political consciousness of course.
Independant Intavenshan is one of his more politically charged poems on the album which showcases his political consciousness. The song is about independent intervention of political parties in the United Kingdom. A hard groove is used.
Linton expressed his true feelings about how the United Kingdom’s Liberal Party has no heart which is why he has developed such a distrust towards the Liberal Party as well as the Tory Party. He feels the conservative Tory Party has no heart either.
[Verse 2]
The CRE can’t set me free
The TUC can't do it for me
The Liberal Party them is not very hearty
And the Tory Party
I no feel no party
5/5*****!
Mixerr Reviews was a news blog/local business from Austin, Texas, US that operated from 2012 to 2023. This blog is no longer operational and has been discontinued. Michael Mixerr is currently a writer, narrator, and content curator for Bout Dat Online.
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