J. Valentine - J. Valentine album review
The J. Valentine - J. Valentine solo album is a gangsta rap meets R&B/soul. His intoxicating voice is considered to be chart-topping artist smooth. That is how smooth his voice and vocals are really considered to be. That gorgeous high pitched voice that goes well with the beats. Feels So Good, Niggaz Nature, Can't Let U Pass Me By, Shy, and Do What It Do are some examples.
The J. Valentine - J. Valentine solo album was one of Death Row Records lesser known unreleased albums which did not get promoted as much or hardly receive any attention. That is because the album was never released. J. Valentine had an album due out on Death Row Records that never materialized for obvious reasons of course.
He had a record deal with Death Row Records when he was 27 years old in 2000. Suge Knight’s plan was to mold J. Valentine as one of the young gangsta rappers along with Crooked I, Top Dogg, K9, Doobie, and Tha Realist. However J. Valentine’s plan was to appeal to young audiences and girls since he was about doing songs for women. He never wanted to be a gangsta rapper. Rather than be a flashy artist, Valentine sings about things that the average fan can relate to, from going to the mall to the type of girl he’s looking for. However him and Sage had disagreements about the direction of the album. So the album was never released due to disagreements in musical direction and style of music.
Here is how J. Valentine described his Death Row album,
“I’m not going to sing about anything that I don’t live. I’m not about flossing because in my neighborhood people don’t have that. That’s something that I think that helps me when I’m writing, I’m not going to lie to myself. My songs are really about living the young life. People aren’t loving to be young any more. I’m for the girls. I’m about doing songs for women. If a man buys my record, I want to give him things to say to women to make them feel good. I do music for the neighborhood girls. I’ve got nothing but good things to say about women.”
An advertisement for the J. Valentine solo album appeared in the COMING SOON section of the 2001 album 2Pac - Until The End Of Time.
J. Valentine is Johnny Valentine. San Fransisco Johnny Valentine came from the R&B/soul quartet The Newtrons, which were his brothers. He was already an R&B crooner and a background vocalist. J. Valentine has worked on several 2Pac tracks. He’s provided vocals to Hell 4 A Hustla for the Still I Rise album, Thug Nature for the Too Gangsta For Radio album, and When I Get Free for the Until The End of Time album.
Niggaz Nature (Thug Nature) was a song 2Pac (Tupac) and J. Valentine song recorded for the J. Valentine solo album. This was the original version with J. Valentine on it and not the remix. Michael Jackson sings the chorus with J. Valentine.
Suge Knight ended up putting the original version of Niggaz Nature (Thug Nature) out on an album called Too Gangsta For Radio which didn’t get a lot of attention. Unfortunately Too Gangsta For Radio came out when Suge was in jail so nobody was there to promote the album properly. That was one of 2Pac’s biggest loses as well for the label. That song could have made into a big single.
The song Do What It Do with Tha Realist is one of the hardest songs recorded for the album which was later used on the 2009 album Tha Realist - Witness Tha Realest. The album had a fast paced braggadocious lyrical twist. Tha Realist was on some old Tung Twista type and was so fly.
Feels So Good is one of those love songs about reaching good loving and pleasure. Both physically and mentally. J. Valentine explains that it’s good to receive love both mentally and physically. Clearly J. Valentine was on that fly R&B/soul type shit when he wrote and recorded this song for his solo album.
4/5****!
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Various Artists - No Limit X-Mas album review
The No Limit X-Mas album is one of those Christmas-oriented albums which will lift your holiday spirits. Master P spread a little bit of yuletide cheer with this compilation with songs such as Rock The Bells and A Christmas Wish. This hip hop/rap compilation album has Christmas songs from Snoop Dogg, Silkk the Shocker, Mia X, C-Murder, Mystikal, Mac, and others.
The No Limit X-Mas album is one the lesser known unreleased No Limit albums which very few people know about. The No Limit X-Mas album would have been similar to the West Coast Bad Boyz – High Fo Xmas album had that album been released. Master P’s plan was to spread a little bit of yuletide cheer with this compilation album. The No Limit X-Mas album was supposed to be released on the date of December 14, 1999 as advertised in many of No Limit’s albums. However this album remained unreleased possibly due to sample clearance issues and Master P’s focus on other endeavors.
A Christmas Wish was a song which featured both Mac and NOLA songstress Ms. Peaches. A Christmas Wish was initially intended to be a buzz single off the album. But this never happened due to sample clearance issues and Master P’s focus on other endeavors.
5/5*****!
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Balduin - Melody single review
Melody by Balduin is an ode to the magic of music. The lighthearted and upbeat tile track "Melody" is a remedy against all the negative headlines and takes the listener on a trip to the dancefloor. The new hymn "Wabababa" of the Electro Swing dreamteam Balduin & Masha Ray Wabababa is about making the most of it in difficult times. Let the good times because... who knows if this night is going to be repeated?
Masha Ray looks for something entertaining on the wild and wacky electro swing song called Wabababa. The song is Powered by nonsense desire and electro swing of course. The song tells people to always live up to the limit. The new hymn "Wabababa" of the Electro Swing dreamteam Balduin & Masha Ray Wabababa is about making the most of it in difficult times. Let the good times because... who knows if this night is going to be repeated?
Lately Masha Ray has been pretty lazy. You might call it crazy. But she calls it "Wabababa". She has been feeling like a baby lately. She is lookin for someone to entertain her with something like "Wabababa". That is what these lyrics mean: Someone entertain me With something like "Wabababa"
If that’s our freedom better drink up what is given because who knows if it’s for a decade or a minute. We’re on the edge. So always live up to the limit because who knows if this dance/night is gonna be repeated. Powered by nonsense desire. By boredom and wires. Tired of infinite lying. Of sleeping and buying.
The lighthearted and upbeat tile track "Melody" is a remedy against all the negative headlines and takes the listener on a trip to the dancefloor. Let the music take us away. Listen to the rhythm. Feel the melody.
Take a look around. Finally see what you’ve been missing. Learn to let it go. Feel it coursing through your body. Let the music take us away so we can escape. It might not be what you asked for. But Balduin knows you want it too. Follow him to the dancefloor. Listen to the rhythm. Feel the melody moving like the ocean. On waves you won’t believe.
Close your eyes and say what you see. Paradise just for you and me. Do you feel at ease? You can take the music with you. Keep it on repeat.
5/5*****!
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Blaque - Blaque album review
Blaque’s self-titled album was released at the peak of teen pop in its most popular stage. Clearly they were copying the formula of 3LW and TLC. People have went so far as to say Blaque was trying to be like TLC, SWV, or Total. Their album has Lisa “Left Eye” Lopes work written all over it since she executive produced the group. Their self-titled album copied the contemporary pop sounds at the end of the 90s decade. The ladies of Blaque found success after the explosion of female R&B groups at the time. Despite being a moderate success on the Billboard Charts, the album managed to reach platinum status by being certified platinum.
Rainbow Drive was a call for people all over the world to come together for some unity and peace amongst one another. Everybody, come together! Let's get to Rainbow Drive! Just feel the vibe. Blaque says you don't need no money because it's a natural high. They also tell people to forget about their worries as it’s gonna be alright. Love and peace on Earth is what they want.
Our time is too short. We've gotta live our lives. We got live together. When we do unto the others we pay. It might change your life when you understand that you're only a shade away.
[Verse 1: Brandi]
People all over the world
Let's come together
We need some unity
And peace among one another
Here's what ya do (try)
Just let ya feel you (to)
You release your fears
And bring your mind
To my point of view
Blaque compares the intensity of their love making to the booming bass sound that an 808 can produce on their classic pop song “808”. Ironically the song uses beats from a Roland TR-808 drum machine rather than live instrumentation.
Notice how Natina was trying be and sound like Left Eye during her spoken word part the beginning of the song as well as Verse 3.
[Spoken: Natina]
Check it out
See what I believe is
We was granted the power
What's that? Power, wha...
Ha, gotta make you dance
Like this
[Verse 3: Natina]
Ain't nobody can bang it like me
Stack it like me, what'n like me
Ask Kelly, his original plan
To get as large on the map, by makin' you clap your hands
Damn shoo bizzatch, I'm not gonna lie
I'll pump my amps to this
Cutie pie, honey bunch
If you're not busy take me to lunch
Oh, y'all done did it now, with the luscious music
World poppin' crews, and what, 8-0 grooves
To what intended use, yeah you to get me up you
You wanted to bump, and get them 8's
Cause they ride in my pocket baby
And today I just wanna
Jiggle my bump
And knock your socks off
Wit' my what? What? What? (wha wha wha wha)
2/5**
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Blaque - Blaque By Popular Demand album review
Somehow Blaque managed to release a “greatest hits” album despite having 2 unreleased album that were later butchered digital releases to iTunes. Blaque By Popular Demand was marketed and packaged as a “greatest hits” album by Columbia and Sony that was called Blaque By Popular Demand. The album included obscure remixes that are difficult to find.
As If was the song where Blaque took control of their relationships and told their men they are not going to run their lives for them. This song was used on the Blaque Out album and was also featured on the soundtrack for the 2000 movie Bring It On.
Blaque took control of their relationships and told their men they are not going to run them. Instead Blaque is going to run them. They’re doing fine out here on their own. Men, you think that you can come around here for some fun. But you've got a lot to learn. Blaque are not the ones to be messed with. Don't shake your head from side to side. Saying that you're changing all that. You want your way. And it's that game that you play. It's a little late for that now. As if they’re gonna let you break their hearts again.
Rainbow Drive was a call for people all over the world to come together for some unity and peace amongst one another. Everybody, come together! Let's get to Rainbow Drive! Just feel the vibe. Blaque says you don't need no money because it's a natural high. They also tell people to forget about their worries as it’s gonna be alright. Love and peace on Earth is what they want.
Our time is too short. We've gotta live our lives. We got live together. When we do unto the others we pay. It might change your life when you understand that you're only a shade away.
[Verse 1: Brandi]
People all over the world
Let's come together
We need some unity
And peace among one another
Here's what ya do (try)
Just let ya feel you (to)
You release your fears
And bring your mind
To my point of view
Blaque compares the intensity of their love making to the booming bass sound that an 808 can produce on their classic pop song “808”. Ironically the song uses beats from a Roland TR-808 drum machine rather than live instrumentation.
Notice how Natina was trying be and sound like Left Eye during her spoken word part the beginning of the song as well as Verse 3.
[Spoken: Natina]
Check it out
See what I believe is
We was granted the power
What's that? Power, wha...
Ha, gotta make you dance
Like this
[Verse 3: Natina]
Ain't nobody can bang it like me
Stack it like me, what'n like me
Ask Kelly, his original plan
To get as large on the map, by makin' you clap your hands
Damn shoo bizzatch, I'm not gonna lie
I'll pump my amps to this
Cutie pie, honey bunch
If you're not busy take me to lunch
Oh, y'all done did it now, with the luscious music
World poppin' crews, and what, 8-0 grooves
To what intended use, yeah you to get me up you
You wanted to bump, and get them 8's
Cause they ride in my pocket baby
And today I just wanna
Jiggle my bump
And knock your socks off
Wit' my what? What? What? (wha wha wha wha)
2/5**
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IANVA - Disobbedisco! album review
Politics meets love and romance on Disobbedisco! by IANVA because Disobbedisco! by IANVA is concept album which is based on the imaginary romance of Maggiore Cesare Renzi and the chanteuse Elettra Stavros, based on the historical background of General Gabriele D'Annunzio's Lega di Fiume which lasted 1918-1920. This is one of those obscure neoclassical dark cabaret albums with a sense of neofolk where neoclassical meets neofolk. This is Italian cabaret melodrama. Just like their debut album La Mano Di Gloria.
Colpo Di Maglio (Mallet Strike) served as the introduction to this concept album which began with a speech from 100 or so years ago. The speech lasts for about 3 minutes long.
Major Renzi introduces himself with this bittersweet ballad called La Ballata Dell'Ardito (The Ballad of the Ardito). The band calls La Ballata Dell'Ardito perfect portrait of a “Beautiful Loser”.
Dividing the brandy and my strong chopped above the plateau at dawn. A prisoner lieutenant and Major Renzi sank into silence of that winter calm. The clear air of the peaks did not carry that stench which was familiar to both. Not intrepid vehemence, but only indifference. He was wounded for a long time and waiting for the moment of the last farewell. Of the definitive Creed. He never felt right anything other than disgust.
The battle of the Solstice announced itself with a tremendous rhombus along the entire front. The light of him infuses the world. He led the troops out singing bitter lines of doom. A royal dispatch of cowardly condolences were no more than adversaries who bled as equals. So Major Renzi took a leave of absence to defy power.
Vittoria Mutilata (Mutilated Victory) is one of the political songs which discussed The Treaty of Paris and the delegates of the victorious nations who were clearly underestimating the Italian contribution and its tribute of blood. So the Italian government take some territorial resolutions and assign Fiume and other lands to the Croatian jurisdiction.
Major Renzi reminisces of his pre-World War I Italy and how things went horribly wrong. He believed that militancy was nothing but art. Smoke and mirrors which did nothing to solve the battles Italy faced.
Do you remember pre-World War I Italy? It seems almost impossible now. We really believed the Earth is still place that can still be improved. That militancy was nothing but art. And that art was nothing but action. Smoke and mirrors. What a long goodbye the war was for Italy to utopia.
Here is a new master with this suicide of a civilization an havoc and horror. An old unjust world collapses and goes away. But a worse one is coming. Just in time to see reality burn a generation of people. Now it's clear what it was for. And it is even clearer who did it. Italy will not lay down arms and surrender.
XII – IX – MCMXIX: Di Nuovo In Armi (12/9/1919 Back In Arms) was about how the French and Croatian were rising against the Italian Government which was forced to ratify the Treaty on the date of December 9, 1919 which was 12/9/1919. D’annunzio and his Arditi conquer Fiume. They occupy the “City Of Life” proclaiming the Free Republic. Major Renzi follows his “Comandante” and is assigned to the Counter-Espionage Office. The embrace between Musa and Furore was unleashed!
In the east, every dawn set a magnificent fire that sometimes a dark passing of clouds darkened.Solders in troops played with hand grenades as if they were a living thing. Beasts of the house whose reactions to the end you cannot predict. But the females indulged more willingly. To those who least cared about dying!
There were cases of cognac and ammunition. There were geraniums and flags on all the balconies. There were one-eyed men with lightning in one eye. Heroes, strollers, tribunes acclaimed at every crossroads. Up in arms again!
Obeying Love is the brand new imperative. Don't hold your nose at the stench of an offending peace. To mock with the impulsive gesture of one who both desires and takes. And piss on decrees taken by old usurers. And on hangman-friendly warps, accountants and stack-kissers who have always preferred the sheepfold to the flight of the eagle.
There were songs. And for every song a woman. There were illusionists, but there was no deception. There were boys with formidable hearts.
The seducing Elettra Stavros introduces herself with a sensual and gloomy tango on Tango Della Menade in a neoclassical manner and style. Major Renzi is enchanted by her performance against his will.
Sangue Morlacco is a neofolk instrumental laced with fiddles, drums, claps, and chants in a true neofolk style. Those drums represent the Italians marching to fight off the French in true militaristic form and style.
The song Per Non Dormire explained why Major Renzi is torn apart because of his passion for Elettra. Love Vs. Duty, Ideal Vs. Eros. To put it bluntly, something very strange has happened to Major Renzi. Major Renzi knows Elettra has been there. Elettra has been in/to places where he has never dared to go because in an instant, there will be fire and then ashes. This offends God. Yet somehow he trusts in her discretion. The fire and the fury raises inside of him raising his infatuation which leaves behind a trail hot as the Aegean summer. But the lightning cannot be stopped.
Traditi (Betrayed) is an interlude which serves as an intermission with neoclassical instrumentation over a barrage of a finely tuned horn selection.
Fuoco A Fiume (Fire In River) explained how The Italian Army has been given order to open the fire against the “Rebel Army” of Fiume. Elettra thinks of Major Renzi in her prison and has a vision of the future.
Major Renzi wishes Elettra would wrap him with kindness and with love. Inside yellowed bandages. She gave him that pain that smells of old orphanages and rusty swings. Like leaves in the wind's arms in the sunsets when it's October. It's not morphine shake in the veins in a crescendo as a herd of horses is driven insane by fire. It's not like sinking in the millpond that bends. To be forgiven and treated is what he wants. It seems a cold and dead echo of past eras of love. And the treasure chest of memories.
Muri D'Assenzio (Wormwood Walls) showed the ill-famed “Christmas Of Blood 1920”. Fiume is under siege. Major Renzi and his troops put up a valiant resistance – brothers Vs. brothers. He meets Elettra and kisses her among the ruins, promising they will meet in Trieste after the end of the crisis, to sail on and live a new existence in Argentina. But the Fate is waiting for him…
A livid dawn was breaking from the harbor where front the fire started. A strange team, the Fiumana Legion, with the unconscious ardor that transcends the present joy, blasphemy and abandonment in a single gift, which deigns homeland and vulgar women equally. An aesthetic avant-garde is good.
But already the artillery swept the dream away. He saw her lost among the maddened crowd. The brunette adventuress with a fair mouth. He meets Elettra and kisses her among the ruins. She said, “Major, I'm staying. Where are you? There is my place”. He said, "Get to safety, it will be hot here in a while." Major Renzi tells Elettra, “Now go, by God! That here is my business. And if Heaven assists us, we will see each other in Trieste”.
Amor Sola Lex (Love Alone Lex) is the closer of the album which represents the end of the story. The song uses a solo grand piano playing in concerto style. The song ends in the middle with an audience clapping and applauding. Then transitions to everyone having a good time over instrumental Italian neofolk music.
5/5*****!!
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Opera Chaotique - Death of the Phantom of the Opera album review
Death of the Phantom of the Opera by Opera Chaotique is a dionysian cabaret album embedded with dark cabaret sounds that are surreal and jazzy. This is alternative dark cabaret based on original compositions with opera elements and alternative pop-rock sounds mixed with voodoo chants and New Orleans jazz on this Opera Chaotique album. This is one of Opera Chaotique’s best albums next to Muses of the Damned Artists. If you loved Muses of the Damned Artists, then you’ll love this album. Dark cabaret meets New Orleans jazz.
Death of the Phantom of the Opera is concept album with spoken interludes in which Opera Chaotique narrates the surreal story of the Phantom of the Opera’s journey to New Orleans. There, the Phantom of the Opera meets and fall in love with the Voodoo Queen herself, the notorious Marie Laveau. However the story ends with a tragic ending.
During the middle of the 19th century at a dark haunted theatre, Opera Chaotique was performing their weird act but the Phantom of the Opera was disappointed. Since then, the ghost of the Phantom of the Opera is trying to ruin every show of Tenorman & Voodoo Drummer. With this record Opera Chaotique hopes to get rid of the Phantom of the Opera. Will they be able to get rid of him? This is the tragic story of the love & death of the Opera Ghost.
Orchestra Chaotique was the chaotic orchestra opener which was sort of an instrumental with good usage of foley effects that blended in appropriately. Now the “SHUT THE FUCK UP!!!!” part at the very end is what made the opener memorable and hilarious!
The Dramatic Prelude picks up where Orchestra Chaotique left off. The Dramatic Prelude explained why the Phantom of the Opera was scared and terrified to love anyone despite the fact he he wanted to feel love and desire due to years of sadness and loneliness.
This is a tragic, dreadful, and veracious story of the so-called Opera Ghost. In spite all superstitions and absurd imagination, he lived a life full of sadness. A sorrowful soul which claims that he never felt anything but depression and agony.
He was hurting people in order to get what he wanted by committing acts of killing and spreading the terror. Cries of terror. Rumors say that he fell in love with almost every opera singer, but they all failed his highly expectations. Years and years have gone by and as much as he wanted to feel love and desire, he was terrified. Terrified to love.
Scared to Love picks up where The Dramatic Prelude left off at. Scared to Love explained why the Phantom of the Opera was scared and terrified to love anyone. Phantom of the Opera is so scared to love and scared to die. He is trapped by some spells. He is lost in the woo. (Lost in the sauce.) He is charmed by all wonderful lies. Clearly Phantom of the Opera is dying from love.
Is it the Opera Ghost? explained how the Phantom of the Opera was haunting every opera house. This is the most haunting song on the album and part of the album.
He was haunting every opera house. He stalked about the buildings like a shadow. He never spoke to anybody and had made no noise in walking. His ghost story soon swelled to enormous proportions among the opera houses. All girls liked this mysterious supernatural being. Is this really him? Does he really exist? Is it the Opera Ghost? He’s cursed to a life without love. He's traveling alone and yet his passion is craving for more.
Drums Interlude is the interlude which explained how Phantom of the Opera was prior to his death. The Drums Interlude explained what attracted him to theatre. The interlude also explained how he got attracted to jazz music.
His passion was opera. He adored everything related to opera. Everything from the young ladies of the ballet to the smell of the theatre to the sound of strings is what attracted him to theatre. Phantom of the Opera was a singer himself, a great maestro, and a composer. He watched all his plays being performed all over the world in famous theaters. Phantom of the Opera was always looking for new sounds to add to his masterpieces during his journeys.
All we know is that once on a rainy or a sunny day he flew to New Orleans. Here is how Phantom of the Opera got attracted to jazz music. He was fascinated by the savage rhythms of the Negro slaves. So he orchestrated his new operas with a new kind of music called Jazz. What he called Jazz was a mysterious discovery.
The Phantom in New Orleans explained his journey to New Orleans, Louisiana. The song also explained how the Voodoo Queen fell in love with The Phantom.
The Phantom flows guided by the wind of New Orleans, the land of broken dreams. A voice echoed down from the bayou to the cemetery in New Orleans. He heard spirits scream. Spirits are dancing to the rhythm of the Voodoo Queen. “Long live the Queen. Long live the Queen. Spirits scream for the Queen. Praise the spirits. Praise the spells. She will never let you go.” is what the spirits said. She is staring from her grave. Voodoo Queen can make her magic spells. The creatures of the bayou are freaking scared.
Then, one day she was loved. She was worshiped by a crazy ghost. When The Phantom saw her, his eyes exploded by a strange and mysterious cause. Desire-full and spellbound, he wanted to conquer the heart and mind of the Voodoo Queen. The Phantom flows to cure his painful dreams. "No one cares for my heart. No one cares for the Phantom." is what he said.
Worship of Marie Laveau worshipped the Louisiana Creole practitioner of Voodoo who was infamously known for practicing voodoo rituals, spirituals, and practices.
The Phantom of the Opera ghost was wandering around the bayou of Louisiana when he found himself in the middle of a ceremony down to the Congo Square. The crowd was crawling in the ground like snakes, singing with a strange voice, worshiping a most impressive creature, the Voodoo Queen herself, the notorious Marie Laveau.
Voodoo Chant uses a voodoo chant in the Creole language which use a portion of the French language. The chant goes as follows:
Eh ye ye Mamzelle Marie
Ya ye ye li konin tou gris gris;
Li te cuori lekal , aver vieux kokodril;
Oh ouai ye Mamzelle Marie
Oh tinguar ye ben ben
Oh tinguar ye eb eb
Li appe vini
Li gran zombie
The Love Song explained how deeply in love he was with the Voodoo Queen herself, the notorious Marie Laveau.
The Phantom of the Opera was deeply and insanely in love with Marie in such a tremendous way. He was full of ecstasy. That’s why he claimed her heart. "Love. Wait me home. Take my hand warm my hand. I want to spend some time with you. I want to spend the night here by your side away from all the others. Ooh I am falling in love. I am falling again for my Queen. Touch my hand with your hand. Touch your hair with my hand and let me spend my time with you. Let me crawl for you up to the stars for I’m not afraid no more. You are calling me down."
The Curse of the Voodoo Queen shared the story of the Voodoo Queen cursed Phantom of the Opera. Never dare to face the dark powers of a woman is the lesson of this song.
Marie was flattered and also in love with the powerful ghost Phantom of the Opera. She found that he was fitting to her strange desires and to her supernatural powers. The odd couple lived happily for years when someday something horrible happened. Something terrible happened.
She caught him flirting and screwing with a singer and with a young dancer of the opera house. He just couldn't let the past behind. Voodoo Queen was furious. So she want crazy mad. She cursed him and put all her voodoo powers against him. All her dark forces were unleashed against the poor ghost. Never dare to face the dark powers of a woman.
The Phantom of the Opera is Dead explained the slow excruciatingly painful death of The Phantom of the Opera along with his inevitable decline.
The Phantom of the Opera’s mask began suddenly melting. His voice was breaking. And now he can’t sing any more because of his voice breaking. His love is fading because his idol is gone. He was just a man who loved the music. But he loved too much. The Phantom of the Opera was just a guy who knew that life is all thorns and dust.
How can he know that he is not insane when all the people say this is the end? The Phantom of the Opera is dead. He is dead from love. He is dead inside. After all who could forget all this terror he has spread? Don’t listen to their lies. The Phantom never dies.
The End of the Ghost's Love Affair represented the tragic end to his love affair with the Voodoo Queen. Marie offered him a Jazz Funeral because she wanted to honor the thing she loved the most. And she did love him.
This was the end of his life. If he ever had one. Marie offered him a Jazz Funeral because she wanted to honor the thing she loved the most. And she did love him. At the parade to the cemetery the band was playing a slow melancholic hymn. The queen was devastated. Coming back to the city they changed to an up-tempo joyful tune while she was watching the second line dancing. It is a Jazz Funeral where people are dying to come to.
Jazz Funeral is mournful jazz ballad filled with sadness and heartbreak. Marie expresses her true feelings to everyone about his death at the Jazz Funeral.
Marie said, “Hey folks, I’m going to New Orleans cemetery to see my phantom there.He was stretched in a long black coffin. So sweet, so cold, so dead. I'm gonna leave him to die alone down by the riverside to die and rot and sing no more.”
Grand Finale was the closer that served as the end of this tragic story. Thus ended the dreadful, horrendous, and tragic story of the love & death of the Opera Ghost.
5/5*****!!
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